This is an archive of the random video tips I've been posting to www.digitalmediathoughts.com.
Originally posted: 2004-09-16
Of all the video tips I've posted so far this is the only one that I kick myself
for not doing on our trip every time I fire up Adobe Premiere. I learned this
one from the Total Training DVDs for Premiere Pro AFTER we got back.
If you've used a DV camera before you've noticed the little timecode values that
run as you record. Here's what you might not have noticed: every time you start
recording on a blank spot on the tape the timecode values start again at
00:00:00. This means if you rewind to watch what you just taped, and then fast
forward even a frame past the end and leave blank tape, the next time you whack
record your timecode for that clip start be zero.
Why does this matter? Because when you're in an editing application like
Premiere you no longer have a complete, unbroken, timeline on the tape that you
can use to identify clip locations. Want to get the clip at timecode 00:05:00?
That could occur three times on the tape!
So, how do you fix this? "Stripe" the tape. Put the tape in your camcorder,
leave the lens cap on, press record, and walk away. Let the camcorder record
nothing on the tape all the way to the end. Rewind, and you now have a lovely
tape ready to use that has a complete, unbroken, timecode sequence stored on it.
I now have a stack of striped tapes on my shelf ready to use whenever I need.
Originally posted: 2004-09-15
I know, you're saying "man, what kind of whacked vacation did this guy go on?
A shot list? Is he insane?". But wait! Hear me out!
I'm not talking about a crazy detailed list of shots with actors, camera
positions, etc. On our trip we had a crumpled piece of paper from a notepad that
lived in the pocket of my shorts. It was really valuable as a reminder of things
we wanted to take video of. When we were out driving around and saw something
funny or worthwhile to tape, we wrote it down so we could come back later and do
it.
This was really helpful at preventing the camcorder from invading our vacation.
Not only could we enjoy a ton of non-camera time, when we did set out to use the
camcorder we had a nice list of the things we wanted to video, and could even
start piecing together in our head how the final product might look when we got
home. It also helped keep track of the b-roll (tip 1) we wanted to get.
Originally posted: 2004-09-14
When you repeat a shot, say to change the distance from the subject (tip 3),
change the position of the camera slightly. Move it to the side a bit, or shoot
from a lower angle. This will really help cover up jarring jumps when you edit
your movie together. If you keep the same camera angle it's nearly impossible to
cover up any slight movement of your subject during the editing process.
As with tip 3, now that I've read some books on cinematography, I know this is
just a basic activity that any director does by default.
Originally posted: 2004-09-13
Once you've got the shot you want, walk back a bunch of steps and shoot
again. Then walk forward past your original position and shoot one more time.
This will give you increased flexibility in editing to tell your story. A
classic move, I've found out, is to start with a wide shot to set the scene,
then move in to a closer shot for the action. Now that I've found this trick out
I see it in movies and TV shows all the time!
Note that you have to be careful when positioning things in the viewfinder when
you shoot the sequence. If things are slightly out of place from where they were
in the first shot you'll have problems when you edit where the subjects look
like they jump around. You can cover this with b-roll from tip 2, or use the
next tip in the series!
Originally posted: 2004-09-09
Whenever you start recording something wait 10 seconds before getting into
the action. Whenever whatever you’re taking video of is done wait another 10
seconds before you stop recording. Even for 1 second of action record 10 seconds
on each side!
Tape is cheap and the extra 10 seconds on either end give you a whole bunch more
freedom when you’re editing. The 10 seconds makes it easier to split the
recorded video once you’ve got it into the computer. It also gives you that
little bit of extra time to get smooth fades between clips that don’t stomp on
the core action. You also get some timing latitude to trim the clip to fit a
piece of music exactly right without being forced to cut off the main subject or
action of the shot.
Originally posted: 2004-09-08
B-roll is an old TV term that covers all the background footage that you see
in news stories while the news announcer is talking about the story. A great
example of b-roll footage is at the
US Census Bureau’s site. It’s just a bunch of random shots of census-related
activities that can be used in news footage.
Why is this useful for home movies? When editing you’ll often find that you need
a few seconds of something to fill a gap, or to cover for some goof in a shot.
B-roll is the duct tape that can make everything fit together! If you’re on
vacation, take a ton of 10-20 second shots of trees, flowers, buildings, cars,
people, etc. from different angles at different zooms so you have a host of
filler to pick from. My wife and I thought we went overboard when we shot b-roll
in Hawaii, and now that we’re editing we’re kicking ourselves for not shooting
more!